The work of Portishead co-founder Geoff Barrow, this sharp-edged though undernourished first film turns a sceptical eye on 90s rave culture. Self-serving drug user David (the actor) first robs an passed-out supplier, then in another flashback tries to break into his own parents. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Duel
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the ecstasy generation were primarily out for number one – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher arrives, fuming after David strangles his dog. Nevertheless, a grimly amusing standoff unfolds – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, intent on dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
There is only one key story turn, but it results in a hilariously staged chaotic run on the forest trails that dips close to folk horror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now lets rip with the full lysergic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.
The film is in British and Irish cinemas from 17 November.
